Category: Movies

Movies, Uncategorized

“The Movie of Your Life”: Comedy by Brandon Barker

by Suzanne Stroh

Unknown-1Retyped by Suzanne Stroh

Writers! When you read 1,200 perfect words, retype them.

That’s what I wanted to do as soon as I finished “The Movie of Your Life” by B. Brandon Barker.

Is Barker in the same league as Steve Martin, or what? Clever, funny writing.

If you don’t retype, you should. I write screenplays according to the Ackerman method (Write Screenplays That Sell). The first thing I do when beginning a new project is retype the screenplay that I’m measuring myself against.

If only George Clooney had done that before writing THE MONUMENTS MEN.

Retyping should go up there with 10,000 hours, the Scenogram and Hal Ackerman in that documentary that really needs to be made, HAIL MAGNIFICENT SCREENWRITERS. Retyping scripts and stories is how you pay homage to your worthy competitors. How you study your highest competition. How you regraft it so that you live and breathe your genre.

And now ladies and gentlemen, without further ado, I give you Brandon Barker.

 

The Movie of Your Life

 by B. Brandon Barker

 

Beginnings and Endings: The Movie of Your Life will be based on your life story, focusing on your life’s major conflict, supported by any minor conflicts. The Movie of your Life will end after the resolve of your final conflict.

Protagonists and Antagonists: Unless otherwise determined, you will be the hero of the Movie of Your Life. This is assuming that you are a sympathetic person. In the event that you are not, adjustments will be made to craft a more likeable character out of you.

Talent: Actors are selected for The Movie of Your Life based on their likeness to you and, in some cases, their need for work. You will have no input in deciding who plays you or any other character in The Movie of Your Life. In addition, you may not portray yourself or any other character.

Plot Spoilers and Embellishments: By the time The Movie of Your Life is released, your story may already be known; for example, you may be a celebrity, a politician, an athlete, an artist or a very, very foolish person with a video camera. If you fall into one of these categories, certain well-known moments from your life may be passed over in favor of those that are not so well known. On the other hand, you may have led a life lacking both curiosity and distinction, not to mention abundant wealth, in which case efforts will be made to embellish your experiences by utilizing effects such as montages, fictional characters, gospel choirs and dream sequences.

Dream Sequences: Dreams by their very nature are difficult to convey. For this reason, dream sequences tend to interrupt the narrative flow with elf-indulgent and unnecessary weirdness: menacing clowns, talking plants and rooms full of disco balls come to mind. However, some dreams are major, life-changing events, making lasting impacts on the dreamers and in come cases drastically altering lives. Nevertheless these epic dreams, when illustrated on film, can seem boring, sappy and comical. Therefore an extraordinary dream may be featured in The Movie of Your Life, a nonsensical one may not.

Moral Sense: Everyone’s life has certain unsavory details. Some people’s passions or personal habits may be considered by a general audience to be immoral, pitiful or obnoxious. It’s understandable, then, that you’ll want one or two details stricken from The Movie of Your Life. Over time, your opinion will fluctuate over which of these details are truly unsavory and which are simply embarrassing, making this an exhausting part of the pre-production stage. It’s also an ideal moment to let go. When your life is depicted on film it leaves the confines of personal experience  and enters what you might call a blameless realm. This is not to say that The Movie of Your Life will consist of one, long unsavory detail, of course. Rest assured that these scenes, if used, will appear in a tasteful and contextual manner that allows viewers to better understand, and possibly accept, their own unsavory lives.

Montages: If The Movie of Your Life is excessively talky, highly involved or features a high-stakes car chase, a montage—i.e. a series of brief, related scenes joined together by a familiar song—may be employed to allow the audience to take a mental break or maybe get some fresh air. Due to copyright issues, however, only three montage songs will be available: Van Morrison’s “Brown-Eyed Girl,” Judy Collins’ “Both Sides Now.” And Bell Biv De-Voe’s “Poison.” Please take great care in choosing a song that captures the spirit, style and intensity level of the scenes depicted in the montage portion of The Movie of Your Life.

The Enjoyment of Others: You may find it difficult to watch The Movie of Your Life. The very thought of reliving certain uncomfortable moments or hearing yourself repeat certain phrases could be unbearable. But The Movie of Your Life is not intended for your enjoyment. Rather its purpose is to entertain, teach, inspire and sometimes warn others. Just remember that no matter how tragic, no matter how vapid or repugnant your story, someone somewhere will see The Movie of Your Life and find it enjoyable.

Unintended Laughter: People may laugh during The Movie of Your Life. They may chortle, snicker and guffaw during poignant scenes. Rather than empathize with your struggles, members of the audience may belittle you—some out of poor manners, others because they are insane. Keep in mind that you have no control over how people react to The Movie of Your Life. As you watch the film in a public theater surrounded by strangers, it’s important to remain focused on the shape, tone and wonderment of your own story line.

Personal Evaluations: You may consider your life a failure. The Movie of Your Life may agree, highlighting moments where you neglected loved ones, broke promises, abandoned your dreams or let important moments slip away. The Movie of Your Life will depict these moments constructively, using your story to revive the spirits of those with low confidence, paralyzing regrets and bad attitudes. If your life is indeed a certified failure, The Movie of Your Life may even attempt to redefine the meaning of failure itself.

Peer Appreciation: People may not “understand” The Movie of Your Life. But, can they say why? In order for The Movie of Your Life to be understood, in order for people to even bother examining its obscurities and impulses, it is crucial for you to develop an appreciation for the movies of other people’s lives.

The Movies of Other People’s Lives: Unless you have lived a solitary existence, you—or rather your character—will most likely appear in the movie of someone else’s life. Unless deliberately removed, you will probably play a major role in the life stories of your parents, spouse(s) and children, not to mention your friends and coworkers or even strangers whose lives you inadvertently affected, in which case there is a good chance that the facts of your stories will conflict. We are sorry but there is little that can be done to avoid this.

Life After The Movie of Your Life: If you live long enough to see the results of the hard work and inspiration that go into making The Movie of Your Life you will, of course, not witness your definitive ending. After viewing the film you may realize that you possess the extraordinary ability to undermine your own story line. In other words, seeing the narrative of your own fate could influence you to abruptly change course, whether by forgiving wrongs, changing opinions or doing really idiotic things. But, still: Whether you are alive or dead upon the release of The Movie of Your life, the true ending of your life story, and therefore the ultimate mystery of your existence, will be determined beyond the forces of The Movie of Your Life’s control.

Specs: The Movie of Your Life must be less than three hours long and shot at least ninety percent in color—Dream Sequences included. It must adhere to budget restrictions and take no longer than six weeks to produce. There will be no exceptions.

1,200 words

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B. Brandon Barker’s monogram, like mine, observes French propriety, following the rule of jamais deux sans trois. We both live in the northern Virginia countryside, write screenplays, love day jobs, carry frayed Patagonia courier bags, eschew late model luxury cars and wear our hair in a pony tail from time to time. Sometimes we shake out our hair in public to attract attention like Yanni. In order that we not be mistaken for one another, Barker has mercifully written a comic novel, OPERATION EMU, that was the focus of a story in The Baltimore Sun. This story first appeared in Global City Review No. 21, Nothing is Simple, Spring/Summer 2009. Retyped flagrantly without permission; reprinted by permission of the author.

 

 

Suzanne Stroh
With a feature film produced in 2012, award-winning screenwriter Suzanne Stroh’s period drama Scotch Verdict is in development at London’s Royal Academy of Dramatic Art. Suzanne hails from Michigan, where her family brewed Stroh’s beer for five generations. She lives with her family in the Virginia countryside.
Movies, Uncategorized

SV is Official Selection at RIFF

by Suzanne Stroh

Another laurel for SCOTCH VERDICT, chosen as an official selection at the Richmond International Film Festival running Feb 27-March 2. Founder Heather Waters has put together an interesting lineup of screenings and events all over town.

Photojournalist Elizabeth L Gilbert wonders what her subjects will make of their likenesses in print.
Photojournalist Elizabeth L Gilbert wonders what her subjects will make of their likenesses in print.

In documentaries, Matt Goldman’s THE LAST SAFARI looks promising, rolling into Richmond with half a dozen 2013 laurels. Journalist Elizabeth J. Gilbert returns to the African outback with her book of large format photography and tracks down her subjects to show them what their likenesses look like in print. Even in a world that is vanishing fast, the sight of a photograph is a first for many. These are priceless, transitory moments. Watch the trailer here. THE LAST SAFARI will screen at 4:45 pm at the Byrd Theater on Thursday, February 27. For tickets, visit the festival’s web site.

 

 

 

 

Can't wait to see this documentary at the Richmond Film Festival
Can’t wait to see this documentary at the Richmond Film Festival

Amy Gerber and I are very much looking forward to meeting the Russian film collective Gogol’s Wives, who have produced a documentary that has the Putin regime up in arms.

PUSSY VS PUTIN screens Saturday, March 1 at 6:30 pm. Amy’s animated feature THE REIGN OF ANASTASIA, set in medieval Russia, is in development just as uppity Russian women are in the news. Perfect timing.

More as my plans for the festival develop.

Amy Gerber's new film will be an animated feature set in medieval Russia.
Amy Gerber’s new film will be an animated feature set in medieval Russia.

 

 

 

Suzanne Stroh
With a feature film produced in 2012, award-winning screenwriter Suzanne Stroh’s period drama Scotch Verdict is in development at London’s Royal Academy of Dramatic Art. Suzanne hails from Michigan, where her family brewed Stroh’s beer for five generations. She lives with her family in the Virginia countryside.
Élisabeth de Gramont, Movies, This Family Business

Brave Hearts and Coronets

by Suzanne Stroh
"Fashionable Contrasts" by political cartoonist James Gillray
“Fashionable Contrasts” by political cartoonist James Gillray

I’m putting the finishing touches on a new story, “Patrimony.” Set in London and Chicago, it’s inspired by the efforts of Mary Macleod MP, Lord Lucas, Liza Campbell and others working for inheritance equality in Great Britain.

KIND HEARTS AND CORONETS: greatest movie ever made?
KIND HEARTS AND CORONETS: greatest movie ever made?

They’ve set up shop here on Facebook to circulate a petition signed by 319 Britons as of July 31. It’s nice to see the names of a few friends on the list.

And the campaign has inspired people like author Kathryn Heyman to write to Entrenched Male Bastions That Matter in Publishing, like The London Review of Books, demanding gender equality. You can read her letter, and the dispiriting response, here. Apparently, finding women who can write is “complicated” at the LRB.

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Leading journals have also been covering the issue, including this article in the Independent by Jane Merrick and Matthew Bell that gives a good overview.

 

Alec Guinness playing Ascoyne d'Ascoyne's uppity forebear in KIND HEARTS AND CORONETS. Bears a striking resemblance to Lily de Gramont, don't you think? Hat not quite du bon ton. But we certainly catch the whiff of Legroux on the winds of change.
Alec Guinness playing Gascoyne d’Ascoyne’s uppity forebear in KIND HEARTS AND CORONETS.
Bears a striking resemblance to Lily de Gramont, don’t you think? Hat not quite du bon ton. But we certainly catch the whiff of Legroux on the winds of change.

 

The vote on whether to end gender discrimination that has been entangled with primogeniture for centuries will affect about a thousand women and their “family firms” in Great Britain. More will potentially be affected in Spain. In Pakistan, Madeeha Maqbool’s op/ed piece ran July 23 in the independent weekly’s Friday Times Blog.

 

If you’re wondering why anyone else would care about Equality for Women in the Peerage… well, you’ll see. “Blood flows in women’s veins too,” says Liza Campbell. “Patrimony” will be ready for publication October 15.

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Suzanne Stroh
With a feature film produced in 2012, award-winning screenwriter Suzanne Stroh’s period drama Scotch Verdict is in development at London’s Royal Academy of Dramatic Art. Suzanne hails from Michigan, where her family brewed Stroh’s beer for five generations. She lives with her family in the Virginia countryside.
Movies

Screenwriter’s Notebook

by Suzanne Stroh

Screen Shot 2013-06-23 at 8.59.16 PMMy screenplay’s in the news. Or rather, its main theme is.

One of my favorite journalists, Sarah Lyall of The New York Times, published an interesting piece today on primogeniture in Britain. Here’s the link to her article, “Son and Heir? In Britain, Daughters Cry No Fair.”

She leads in with DOWNTON ABBEY, but she could just as well have led in with Tabou. If only my novel cycle were a hit TV series!

Primogeniture is the fusty old legal rule of sole male inheritance of titles, property and chattel in the paternal bloodline. Primogeniture is the reason Vita Sackville-West never inherited Knole. It’s the reason Lily de Gramont wasn’t a prince like her grandfather–or at least a duke, like all the other men in her family. And it’s the reason why I’d never be a controlling owner of my own family business in the UK, because I’m adopted.

Primogeniture: proof that consistency is the last refuge of the unimaginative.

–After an epigram from Oscar Wilde

 

Well, It’s alive and well in England, but in Scotland, at least a portion of the estate must be left to all legitimate children born in wedlock.

Screen Shot 2013-06-23 at 8.56.59 PMAnd why care? Because the rot of primogeniture is at the core of my ghost story, SCOTCH VERDICT, nominated for best unproduced screenplay next month at the Madrid International Film Festival. It’s a very sexy Napoleonic mystery set in Bombay 1796 and Edinburgh 1811, based on a true trial story. With a shocking twist that will knock your socks off. If and when it’s produced, that is.

The award winner will be announced July 6th. Come join me and my fellow screenwriters for a great evening of film and laurels and libations in Madrid.

Meanwhile, check out the poster by the talented British-born, Hollywood-based production designer, Robert de Vico, who’s creating the visual treatment. Talk about a thriving imagination! So lucky to have him on my team…

Ever wondered if Tabou might be the next DOWNTON ABBEY? If SCOTCH VERDICT is the next CRYING GAME?

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Let’s find out. Next stop: Madrid.

 

Suzanne Stroh
With a feature film produced in 2012, award-winning screenwriter Suzanne Stroh’s period drama Scotch Verdict is in development at London’s Royal Academy of Dramatic Art. Suzanne hails from Michigan, where her family brewed Stroh’s beer for five generations. She lives with her family in the Virginia countryside.